【摘要】 宋末元初画家龚开所作《中山出游图》描绘了钟馗携其妹及一众小鬼出游的场景,因其画风独特、内涵丰富,历来为世人所重。本文从钟馗小妹及其侍从这一段画面入手,通过分析服饰及纹样,发现鲜少出现的"五毒"纹样在画面角色的服饰中格外醒目。同时,结合画面细节与角色的表现,探讨这些非吉祥类纹饰与钟馗之间的联系,同时探寻画中角色与龚开之间的关系。进一步发现,此画作者龚开乃通过反义表达的方式抒发内心情感,并用以丑为美的表现手法,来呈现特别的审美情趣。更多还原

【Abstract】 Gong Kai, a painter, at the end of the Song Dynasty and the beginning of the Yuan Dynasty, drew a painting of Zhongshan Going on Excursion, and described a scene of ZhongKui with his sister and several attendants. Because of the unique painting style and abundant content, this painting had always been valued by the world. This paper would discuss starting from the scene of ZhongKui’s sister and her attendant, by analyzing their dresses and pattern, "The five poisonous pests", which rarely appeared and was very eye-catching. Meanwhile, combined with the graphic detail and role’s performance, this paper would also discuss the connection between these non-auspicious patterns and ZhongKui, and explore the relationship between the role and Gong Kai in this painting. It was further discovered that, Gong Kai, the author of this painting, adopted antisense expressions to define his inner feeling and used ugly aesthetics to demonstrate distinctive aesthetic interest.更多还原